 |
Season: One (1966-1967)
| Pilot
|
| HERE COME THE
MONKEES - Original 1965 Pilot |
|
Black and white segments of
screen tests featuring Michael Nesmith and David Jones from October
1965 are shown, which, as Robert Rafelson describes in a voiceover,
are "spontaneous and unrehearsed." At the end of these interviews,
Rafelson says, "Well, those are some of The Monkees. And you never
know when they'll turn up next."
The Monkees—David, Michael,
Peter and Micky—are four talented musicians, who, one night, stage a
mock assault on David and scaring away Lionel B. Turner, a doctor,
during a TV interview. The good Doctor helps a little old lady
across the street and is charged $.15 for his kindness.
The
next day, Micky, at one end of the sidewalk is seen struggling with
a high stack of drum cases, precariously balancing one on top of the
other. At the other end is Michael, riding on his motorized
skateboard, taking a paper from a newsstand. They collide, causing
Micky's cases to topple. Emerging from a nearby manhole is Peter,
who applauds their hilarious pratfall. Joined by David, the four
Monkees are then seen finishing their theme song.
Later, at
Rudy's Record Rack, The Monkees' manager, Rudy Gunther, a 45
year-old ex-Marine Sergeant who's the record store's proprietor,
sends them to the Riverdale Country Club, where his old Marine buddy
Charles Russell is auditioning bands for a Sweet Sixteen Party he is
giving his daughter, Vanessa. When the boys arrive, Mr. Russell and
Vanessa are sedately dancing to the square melodies of Sven Helstrom
and his Swedish Rhythm Kings. During The Monkees audition—a rocking
version of "I Wanna Be Free"—David's eyes meet Vanessa's and they
fall in love, fantasizing about fun in the Kiddieland amusement
park. The Monkees are hired, but Vanessa becomes so involved with
David that she negelects her schoolwork and flunks history. At the
beach, Jill Gunther, Rudy's 16 year-old daughter and Vanessa's
friend, explains to the boys that Vanessa will get a makeup final,
but they are in danger of losing a job if she flunks it, too—and
that her admirations for David is the reason for her failure to
concentrate on her schoolwork. Feeling responsible, David takes
leave of the group to sadly take a stroll down the beach, to a much
slower tune of "I Wanna Be Free." In a fantasy sequence as lawyers
in a board meeting, the boys select David to help Vanessa pass her
final. Having disguised themselves as deliverymen, The Monkees
smuggle Vanessa out of the house and improvise a unique history
course in which they dramatize historical events in music, resulting
in her passing a makeup exam.
However, Mr. Russell still
orders The Monkees to be barred from the dance and a guard chases
them away, while Sven Helstrom and his Swedish Rhythm Kings perform.
When Russell learns The Monkees helped Vanessa pass her history
test, he leads a wild but successful chase from the front lawn to
the gameroom to get them back. When the guard finally corners the
boys in the ballroom, Mr. Russell tells him they are invited. The
guard bellows,"You've sold out, sir! Your country club, and
yourself!!!" and storms off. Michael gets the Swedish Rhythm Kings
off the bandstand by announcing that "Norway has just declared war
on Sweden, and all the Swedish nationals are to report to their
embassy." The Kings, patriotic beings they are, march off, and The
Monkees get the joint jumping with "Let's Dance On." During the
number, the partygoers are joined by a drunk from the bar, Dr.
Turner and the old lady. From the bandstand, David sees another
girl, and again sparks fly; afraid that David's new passion may cost
them their first job, Micky, Michael and Peter, brandishing balloons
as weapons, madly dash after David.
|
b: UNAIRED
pc: 4091 w: Paul Mazursky and
Larry Tucker d: Mike Elliot |
|
|
| Season
1
|
| 1.
The Royal Flush |
| gs: Vincent Beck
(Sigmund) Ceil Cabot (Chambermaid)
Theodore Marcuse (Archduke Otto) Katherine Walsh
(Bettina) |
After saving Princess Bettina,
the Duchess of Harmonica from drowning, Davy realizes her archduke
uncle Otto and his aide, Sigmund, plan to kill the Princess and take
over her country. With Mike, Micky and Peter, Davy checks into a
suite next to the Royal Suite at The Ritz Swank hotel. Impressing
the chambermaid, Mike, masquerading as building inspector W.H.
Woolhat, advises her to work hard, play hard, and get plenty of
roughage in her diet in that she may own the hotel someday. He also
tells her to buy International Steel at 28 1/2, as a tip. Posing as
salesmen for a line of thrones and royalty supplies, Mike, Micky and
Peter lure Otto and Sigmund into their suite, while Davy convinces
Bettina of her uncle's wretched plan. Told her uncle, as region,
controls everything until she becomes queen upon her 18th birthday
tomorrow, when there will be a ball which will mark her accession to
her throne, Davy decides to keep her out of circulation until
midnight, and he escapes with her. After the departure of The
Monkees and Bettina, Otto realizes he has been tricked by "those
throne merchants," and starts Sigmund on a mad pursuit of Bettina
and her rescuers. On the beach, Bettina expresses to Davy her lament
over the many responsibilities for the welfare of all her people. He
declines her offer to visit her country for her coronation, because
"what I have to do is here with the guys and our music." While they
romance, Micky and Peter keep Sigmund busy chasing them all over the
beach to the tune of "This Just Doesn't Seem to Be My Day," finally
resulting in Sig falling into a deep hole dug by Peter.
Sig
finally discovers Bettina and The Monkees at their beach pad, and
informs his boss by phone. Inside, the four have fastened a safe to
a rope and suspends it over an "X" on the floor, for the villains to
stand on and be clunked unconscious by the safe when the rope is
cut. But the rope refuses to do so when the villains arrive.
Confronted by Bettina, Otto finally admits he plans to kill his
niece that night before her birthday ball. Davy reports that Bettina
has sent a message to her embassy in a sealed envelope, informing
them of her uncle's evil scheme, but Otto nevertheless temporarily
postpones his plans. Leaving The Monkees as hostages with Sigmund
(as insurance that the princess won't talk), Otto forces Bettina to
accompany him to the ball. After the boys' attempt to jar the rope
into fraying by jumping up and down fails, Davy reads "Snow White"
to Sig as a diversion while Mike, Micky and Peter sneaks up behind
him and tie him down. But the callous chauffeur breaks loose from
his bind and pops up at the front door, blocking the boys' escape.
Just as he is about to pounce upon the boys, the rope holding the
safe finally frays and Sig is knocked unconscious, permitting The
Monkees to narrowly escape to The Ritz Swank hotel. There Davy
challenges Otto in a duel and the other Monkees overpower Sigmund,
as "Take A Giant Step" pervades the soundtrack. Davy loses his sword
in the duel, and before Otto can run him through, midnight arrives
and Bettina, becoming queen, orders Otto arrested. Later The Monkees
are ordered out of their hotel room by the chambermaid. She reveals
she has become the boss by buying the hotel with the money she made
on Mike's stock tip!
|
b: 12-Sep-1966
pc: 4701 w: Robert Schlitt and
Peter Meyerson d: James Frawley |
NOTE: Features the songs: "This
Just Doesn't Seem to be My Day" and "Take a Giant Step." James
Frawley won a Emmy for "Outstanding Directional Achievement in
Comedy." The series itself won "Outstanding Comedy Series" for this
season.
The 8 May 67 repeat of this episode
featured the songs: "A Girl I Knew Somewhere" and "You Told Me" in
order to promote the group's third album and third single; a CBS
Saturday Afternoon repeat found it redubbed with more new music:
"Apples, Peaches, Bananas And Pears" and "Good Clean Fun."
Tag: The Monkees sit for a casual
interview about their feelings of this show.
This was the only episode in the
entire series not to have a reasonably full listing of songs in the
end titles, which, in this case, were Boyce & Hart's "This Just
Doesn't Seem To Be My Day" and Goffin & King's "Take A Giant
Step." It showed the names of the composers (under an intricate
"Songs by" credit), but not the titles of the songs they wrote.
"This Just Doesn't Seem To Be My Day"
appears here and in Episode No. 9, "The Chaperone," in a alternate
take, with an extra minute of music during the instrumental bridge
not heard in the take on The Monkees' first album.
The third Monkees episode to be
filmed, "The Royal Flush" was the first to be helmed by James
Frawley, an initial member of innovative NYC comedy troupe The
Premise, who would go on to direct the bulk of The Monkees' 58
half-hour segments (32 to be exact). Frawley would soon be greatly
rewarded for his efforts on "The Royal Flush"; it won the Emmy for
Outstanding Directorial Achievement In A Comedy Series for 1966-67.
The concept of the little tag
sequence where David, Micky, Peter and Michael sat and chatted (at
the end of this and 11 more episodes of The Monkees) came about when
director Jim Frawley found that "The Royal Flush" was very long in
its original director's cut. He trimmed it very tight to accommodate
tight airtime space for NBC, resulting in it being 2 minutes short.
Instead of putting back those 2 minutes (6 frames @ a time), Frawley
opted to put The Monkees in front of the camera and improvise a
little tag.
The 309 Usurper throne, which "throne
merchant" Micky pitches to Otto, was reused thrice: in Episode No.
21, "The Prince And The Paupers", No. 43, "A Coffin Too Frequent",
and No. 52, "The Devil And Peter Tork". The Usurper throne can also
be briefly seen in The Monkees 1968 movie HEAD, immediately
following the "Long Title: Do I Have To Do This All Over Again?"
birthday party boogie sequence.
The 309 Usurper throne, which "throne
merchant" Micky pitches to Otto, was reused thrice: in Episode No.
21, "The Prince And The Paupers", No. 43, "A Coffin Too Frequent",
and No. 52, "The Devil And Peter Tork". The Usurper throne can also
be briefly seen in The Monkees 1968 movie HEAD, immediately
following the "Long Title: Do I Have To Do This All Over Again?"
birthday party boogie sequence.
Note a certain incision on David
Jones' lower left abdomen, which is due to an appendetomy he had
years back. He refers to it in Episode No. 10, "Here Come The
Monkees" (Original Pilot Film).
The signs used by Peter for his
digging project: "Danger Hole Started," "Watch Out Half A Hole," and
"Caution Whole Hole."
An alternate ending to "The Royal
Flush" has The Chambermaid (Ceil Cabot) forcing Michael and Micky to
clean up the battle-scarred ballroom!
A technique dubbed the "double-guitar
iris" transition was first used here. It featured an outer guitar
(shown in red, orange, light green, light blue, or black) slanted @
an approximate 180-degree angle, zooming into the screen (taking us
out of the previous scene), followed by an inner guitar, which
introduces the next scene. Other Monkees episodes to employ this
technique were the next one, "Monkee See, Monkee Die", No. 4, "Your
Friendly Neighborhood Kidnappers", No. 5, "The Spy Who Came In From
The Cool", No. 8, "Don't Look A Gift Horse In The Mouth", No. 9,
"The Chaperone", No. 11, "Monkees A La Carte", and No. 13, "One Man
Shy".
The end credits for "The Royal Flush"
and all further Kellogg's-sponsored NBC-TV telecasts of The Monkees
sported package faces of Kellogg's popular cereals: Corn Flakes,
Rice Krispies, Sugar Frosted Flakes, Apple Jacks, Special K,
Variety-Pak, and Pop Tarts.
A close-up shot from this episode of
David clad in his swordsman refinery a la Erroll Flynn with a sword
(dueling with Otto next to the buffet table in the ballroom during
the "Take A Giant Step" romp) is edited into the first season main
title sequence for The Monkees.
The 1986 Colex syndicated edition of
"The Royal Flush" featured the soundtrack from its May 8, 1967
repeat on NBC (featuring the songs "You Told Me" and "The Girl I
Knew Somewhere") and the end credits augmented from its February 13,
1971 (Peter Tork's 29th birthday!) repeat on CBS Saturday Afternoon
(which lists the songs "Apples, Peaches, Bananas and Pears" and
"Good Clean Fun"). Rhino set the record straight on both counts for
its 1995 inclusion in The Monkees Video Box Set, and the syndication
package now uses the upgraded print of the episode with the original
songs (though the CBS end credits remain intact!).
In the interview, when told by Micky
to stand up and show the audience how tall he is, David retorts,
jokingly, "I am standing up!" This gag would be repeated in Episode
No. 16, "The Son Of A Gypsy", 23, "Captain Crocodile", 38, "I Was A
99-lb. Weakling", and 46, "The Monkees On The Wheel".
David renews his fencing prowess
(first displayed here in the swordsman climax with Otto set to the
tune of "Take A Giant Step") in Episode No. 21, "The Prince And The
Paupers" (in a fencing lesson with Max [Joe Higgins]), No. 44,
"Hitting The High Seas" (engaging Micky, Peter and the crew in mad
swordplay in the romp set to "Daydream Believer"), and in No. 55,
"The Monkees Mind Their Manor" (in a duel with Sir Twiggly
Toppin-Middlebottom [Bernard Fox], which he loses!).
An alternate print of "The Royal
Flush" features a clip of The Monkees performing "Last Train To
Clarksville" replacing the tag interview segment. |
|
| 2.
Monkee See, Monkee Die |
| gs: Henry Corden
(Babbitt) Mark Harris (Harris Kingsley)
Lea Marmer (Madame Roselle) Stacey Maxwell (Ellie
Reynolds) Oliver McGowan (McQuinney)
Milton Parsons (Ralph) |
The Monkees murder murder
mysteries in this half-hour free-for-all. Behind in their rent and
fearing eviction from their landlord, The Monkees don disguises to
fool his lawyer, McQuinney—until he informs the boys that they have
been left in a legacy by the late John Cunningham, an eccentric
millionaire. They leave for Cunningham's mansion on a small
fog-shrouded island where they meet Ralph, the butler, Madame
Roselle, a spiritualist medium, Harris Kingsley, an author of
unusable travel books, and Ellie Reynolds, Cunningham's grandniece,
whom Davy falls for. In Cunningham's legacy—recorded on a phonograph
record—The Monkees learn they have inherited the library organ on
condition they play one song on it, and they do: "Last Train To
Clarksville." Ralph, Kingsley and Mme. Roselle are furious on
finding they have inherited nothing, with the bulk of the estate
going to Ellie on condition she spends one night there. Soon after
Mme. Roselle predicts Ralph will die, shots are heard, and he
disappears! Roselle predicts there is only evil in the mansion for
Ellie. Following another prophecy of the medium, more shots are
heard, and Kingsley vanishes; and all The Monkees' wild efforts to
get help from the mainland miserably fail.
Mme. Roselle
suggests holding a séance to learn the identity of the murderer. The
Monkees, Ellie and the medium all clasp hands but the lights go out
and Mme. Roselle disappears. Although guarded by Davy and the guys,
Ellie resolves to leave as soon as possible. They find neither
romping nor singing "Tomorrow's Gonna Be Another Day" can overcome
their moroseness, until they hear sinister laughter. Micky, Mike and
Davy then discover the medium, the butler and the author toasting
their success in having scared off Ellie. Dressed in a suit of
armor, Davy puts Micky's knockout drops in the conspirators' wine
decanter. Everything works fine until Peter's voice gives everything
away, and the conspirators all emerge from the study, each armed
with a gun. Peter pretends to shoot them with his finger, but they
have really collapsed from the drugged wine. Having explained their
story to the police, The Monkees and Ellie resolve to leave, until
they see Kingsley, having regained consciousness, offering the
policeman a line of his unusable travel books.
|
b: 19-Sep-1966
pc: 4705 w: Treva Silverman d:
James Frawley |
NOTE: Features the songs: "Last
Train to Clarksville" and "Tomorrow's Gonna Be Another Day." A May
1, 1967 repeat of "Monkee See, Monkee Die" featured a new song: "A
Little Bit Me, A Little Bit You." |
|
| 3.
Monkee vs. Machine |
| gs: Severn Darden
(J.B.) Guggins (Jr.)) Walter Janowitz (Pop
Harper) Dorothy Konrad (Mrs. Zuckerman)
Elaine Fielding (Secretary) Stan Freberg
(Daggart) |
To raise rent money, Peter
applies for a job in a toy company which uses computers, but throws
a monkee wrench in the works by flunking an aptitude test given to
him by DJ61, a computerized machine. Mike swings to the rescue and,
reversing the procedure, he asks the machine questions. When he
stumps the machine, it explodes and Daggart, the company's
headstrong efficiency expert, hires him. He introduces Mike to the
president, J.B. Guggins, Jr., son of the company's late founder.
Daggart scoffs at the traditional techniques of his boss and
criticizes him for inheriting the firm and lacking ambition and
leadership. Mike is downcast upon learning that Pop Harper, an
elderly toy designer who has developed a new toy that can assume any
shape, is being replaced by Daggart's computers. Trying to cheer up
Mike, The Monkees sing "Saturdays Child" and engage in a musical
romp in a playground with children. Learning the company is testing
new toys created by computers; Davy, Micky, and Peter arrive before
a panel of parents and their children, in various disguises as toy
testing tykes and their moms. All tyke-disguised Monkees take great
delight in kicking Daggart in the shins and continuously making a
shambles of his toy tests designed to show the product's attention
span, durability, and ease of assembly.
After watching the
self-annihilation of his precious samples, Daggart is reduced to
covering up by explaining to Guggins that it's advantageous for the
toys to quickly break, because their parents will have to buy new
ones and to triple their salesE#034;planned obsolescence," he calls
it!—thus throwing a monkee wrench into Mike's plan. Mike intervenes
and tells Guggins that his toys lack a very important part of toy
building which no computer can create as well as Pop Harper:
happiness. When he brings in Harper to show Guggins his new toy,
Daggart discovers the deception planned by Mike and later fires Mike
and Harper. At their pad, Micky and Mike try to throw the toy away,
but it keeps reappearing. Mike finds that Pop's toy returns no
matter how it is thrown. At the factory, Guggins, shown Pop's
invention, is impressed and finally asserts himself, firing Daggart
and his computer and rehiring Pop as the company's general manager.
Then Guggins presents the boys with another computer, DJ69, which
would help them out with their careers and bring in a little extra
rent money. In a romp to "Last Train to Clarksville," DJ69 offers
them every type of job from construction worker to fireman, none of
which appeal to the boys' likings!
|
b: 26-Sep-1966
pc: 4700 w: David Panich d:
Robert Rafelson |
NOTE: Features the songs:
"Saturdays Child" and "Last Train to Clarksville." A repeat of this
episode on May 22, 1967 (which coincided with the release of The
Monkees Headquarters [#COM/COS-103]) added a new song: "You
Told Me," and when it appeared during the CBS Saturday Afternoon
run, it was updated again, to include Michael Nesmith's "Listen To
The Band." |
|
| 4.
Your Friendly Neighborhood
Kidnappers |
| gs: Ken Del Conte
(Swine #1) David Hull (Contest Manager)
Andre Philippe (Nick Trump) Louis Quinn
(Horace) Vic Tayback (George)
|
The Monkees and The Four Swines
reach the finals in a recording contest, whereupon, in an incident
instigated by The Swines and their manager, Nick Trump, The Monkees'
performance is interrupted by a rendition of Beethoven's Fifth
Symphony. Trump tells The Monkees that, because the judges dug
Beethoven, they have made the finals and he will get publicity for
them. His first stunt goes wrong when girls assigned to rip off
Davy's clothes at the Vincent Van Gogh-Gogh Discotheque proceed to
do the job on Lester Crabtree, a stodgy businessman. His second
stunt goes awry when cement The Monkees put their hands in front of
The Chinese Theater (on whose marquis The Monkees are listed as The
Machie: Dourantse, Dork, Juhans and Nazemize!) happens to be
quick-drying, and they become stuck, only to be released by the blow
of Trump's sledgehammer. Then Trump arranges for The Monkees to be
kidnapped by two hoods, Horace and George, assuring the kidnapping
will make the front pages. Horace and George go to the boys' pad
where they bind and gag Micky, Mike and Peter—and Mr. Schneider,
their pet dummy! Then George goes to the Vincent Van Gogh-Gogh
Discotheque to kidnap Davy; when Nancy, Davy's girlfriend, and the
other dancers hear that Davy's going home to be kidnapped, they
insist on being included. Davy consents, and the mob winds up in the
boys' pad, moving and grooving to the tunes of "Let's Dance On" and
"(I'm Not Your) Steppin' Stone." While George attempts to tie
everyone up, Horace contacts Trump on the phone, demanding extra pay
for the job.
Unwilling to write 40 ransom notes, Horace and
George decide to dump the party patrons. Davy comes up with an idea
to stop the party by switching the jukebox from "(I'm Not Your)
Steppin' Stone" to a clarinet rendition of the tune "Pennies from
Heaven" (Johnny Burke-Arthur Johnston)—a tune to which the party
goers take with such distaste, that they immediately file out of the
pad in less than a minute! Trump tells Horace and George to make
sure The Monkees don't escape, while he goes to the studio to see
that his clients, The Four Swines win the contest Eand The Monkees
finally realize that they've been lured into being sabotaged. After
attempts to escape with throwing Peter out of the window to attract
passersby, climbing down Peter's bed sheets, and use of a roll of
pennies as brass knuckles to smash through the door fail, Micky,
incognito as a mad scientist, convinces George and Horace that he is
holding a bottle of nitroglycerin. The Monkees escape and, in a wild
but successful chase to elude the hoods set to "Last Train to
Clarksville," arrive at the studio. Trump and The Swines are
arrested, but Lester Crabtree and The Three Crabs are declared the
winners. When a group of teenagers tear Lester's clothes off, The
Monkees, deciding all it takes to be a star is to have all your
clothes ripped off, repeat the procedure on each
other.
|
b: 03-Oct-1966
pc: 4703 w: Dave Evans d:
James Frawley |
NOTE: Features the songs: "Let's
Dance On," "Last Train to Clarksville" and "(I'm Not Your) Steppin'
Stone." "A Little Bit Me, A Little Bit You" and "The Girl I Knew
Somewhere" replaced the old tunes for this episode's retelecast on
May 15, 1967, and "Do You Feel It Too?" was dubbed into its
soundtrack for its repeats on CBS Saturday.
Tag: Mike Nesmith is interviewed
about people from his past. |
|
| 5.
The Spy Who Came in From the
Cool |
| gs: Jacques
Aubuchon (Boris) Arlene Charles (Genie)
Booth Colman (Chief) Billy Curtis (Midget)
Lee Kolima (Yakimoto) Arlene Martel (Madame
Olinsky) Don Penny (Agent Honeywell)
|
While top Central Intelligence
Service (CIS) operative Honeywell, incognito as an ice cream vendor,
witnesses and reports back to his chief via a popsicle-microphone,
The Monkees debunk from their Monkeemobile and head for a nearby
music store, because Davy wants a new set of maracas. Little do they
suspect that the music store is a front for enemy spies, where enemy
agent Madame Olinsky tapes microfilm into a pair of red maracas, but
Boris, her sidekick, gets her instructions crossed and sells the
maracas to Davy. The Madame and Boris, in disguise, catch up with
The Monkees at a discotheque where they are playing "The Kind of
Girl I Could Love." They demand for the film at gunpoint, but Mike
introduces them as Honey and The Bear, famous folksingers. As they
sing protest songs, which are booed by the audience, the Cool
Quartet make their escape. Having seen a documented film report on
all four boys, the CIS chief and Honeywell enlist the boys to help
trap the enemy spies. Mike disapproves of this, but Micky tells him
that there's nothing to it, since they've seen every spy movie, and
The Monkees engage in a fantasy sequence as trainees in a spy
school, under the tutelage of Micky.
At the discotheque,
Honeywell sets up a microphone over which he hopes to record the
spies' confession. The spies return during The Monkees' performance
of "I'm Not Your Stepping Stone"; after which, she presents a huge
sum of $380 to the foursome in exchange for the film. They try to
get the spies to confess for Honeywell's recording, but a series of
accidents prevents this. When an angry, impatient Mme. Olinsky pulls
a gun, Mike turns over a roll of film and starts a wild dance to the
tune of "All the King's Horses." Honeywell enters as Madame Olinsky
hits Mike with a karate chop, snatches the film, and escapes. The
dancers, thinking something new has been added, begin using Karate
on each other. Boris tries to escape, too, but is captured, and the
wild dance ends with him on the floor with Mike holding his ear and
the other Monkees on his back. At spy headquarters, Mme. Olinsky
announces a showing of America's latest secret weapon. She is
dismayed when the film turns out to be a sequence set to "Saturday's
Child" of The Monkees in their maddest capering, and she is bound
and gagged in return.
|
b: 10-Oct-1966
pc: 4702 w: Gerald Gardner and
Dee Caruso d: Robert Rafelson
|
NOTE: Features the songs: "(I'm
Not Your) Steppin' Stone," "The Kind of Girl I Could Love,"
"Saturday's Child" and "All the King's Horses." Though "Last Train
to Clarksville" was credited, it was never showcased in this
segment. In any case, this episode was repeated on June 19, 1967
with "Randy Scouse Git" dubbed into its soundtrack.
The release of The Monkees
self-titled first album, The Monkees (Colgems #COM/COS-101)
coincided with this episode's firstrun airing. |
|
| 6.
The Success Story |
| gs: Ray Ballard
(Messenger) Ceil Cabot (Old Woman) Charlie
Callas (Ice Cream Man) Donald Foster (Rolls
Owner) Ben Wright (Grandfather)
|
Davy's friends express surprise
when he tells them he's afraid to meet his grandfather who is
arriving from England to visit that night. The reason becomes clear
when Davy informs them he wrote his grandfather that he had become a
wealthy star and fears being forced to return to England should he
learn the truth. Determined to make Davy look like a millionaire,
Micky, Mike and Peter collect uniforms and accessories, including a
Rolls Royce, and by the time grandfather arrives, they prove that
Davy has a chauffeur, a chef and a houseboy, respectively. During
dinner, grandfather digs into a spaghetti supper, while Davy is
stuck with a rubber meal, as the boys could afford only one serving.
Grandfather is impressed by Davy's affluence until the owners of the
uniforms and the Rolls Royce arrive to reclaim their property.
Grandfather deplores the gross deception and adds that Davy must
return to England with him. Mike is unable to convince grandfather
that Davy posed as a success only to make him proud, while a
crushed, crestfallen Davy takes a final stroll along the beach
reminiscing the good times with his mates, over the tune of "I Wanna
Be Free".
Having bid farewell to Micky, Mike and Peter, Davy
leaves with his grandfather to take a cab going to the airport. At
the airport, Davy laments being separated from his mates, while
there is not a dry eye amongst the remaining trio at the pad.
However, Micky, Mike and Peter hatch a final plot to keep Davy home
in America, and they race for the airport. There, disguised as
airline personnel, the three do everything possible to stop
grandfather from reaching the plane on time. Grandfather catches up
with Davy and, seeing through Micky, Mike and Peter's disguises, he
tells them he's happy Davy has such loyal friends, and that he feels
he can leave him safely in their hands. Making sure he has a
charming female companion, grandfather boards the plane for the trip
back to England, and the boys celebrate by capering about on the
lawn with senior citizens, singing "Sweet Young
Thing".
|
b: 17-Oct-1966
pc: 4710 w: Gerald Gardner and
Dee Caruso and Bernie
Orenstein d: James Frawley
|
NOTE: Features the songs: "I
Wanna Be Free" and "Sweet Young Thing." The May 29, 1967 repeat of
"The Success Story" saw "Shades Of Grey" replacing "I Wanna Be
Free."
Tag: Davy Jones is interviewed about
his first trip back to England since the series' debut.
|
|
| 7.
The Monkees in a Ghost
Town |
| gs: Len Lesser
(George) Rose Marie (Bessie Kowalski)
Hollis Morrison (First Cop) Lon Chaney Jr.
(Lenny) |
The Monkees drive The
Monkeemobile from Clarksville to a job out of town. Thanks to a
navigational blunder made by Micky, the boys make an unnecessary
150-mile trek through a desert, thus causing The Monkeemobile to run
out of gas in a ghost town. The Monkees split up in pairs to search
for a gas station. Mike and Davy play a Western fantasy scene (Mike
plays double roles: Black Bart and Slade, Davy is Kincaid);
meanwhile, Micky and Peter encounter a rusty old triangle used to
call cowboys to supper. Since Peter played a triangle in high
school, he happily rings it with a hammer; the noise attracts two
hoods, George and Lenny, awaiting the arrival of their chief, The
Big Man (in the town jail, yet!), so they can take their cut and
scram. The two find Mike and Davy, whom Lenny marches towards the
town jail, while George searches in vain for the others, who are
hiding in a stall just next door. Micky and Peter, disguised as
gangsters The Big Man and Spider, respectively, try to overcome the
hoods and rescue Mike and Davy, but they see through their disguise
and put them in the cell with their mates. George warns them not to
get out, as "there's nothin' around here but miles o'desert!" The
Monkees imagine having fun by the beach and in the desert (dressed
as Foreign Legionnaires!) over "Tomorrow's Gonna Be Another Day".
Micky hatches another plot to escape via tunneling out, and
asks Lenny for his shovel and ball to play baseball. While covering
up the sound of their digging by singing "Papa Gene's Blues", the
quartet begin digging all sorts of escape tunnels to a jungle, a
railroad track, an Egyptian Pyramid, and a baseball diamond (!), but
Peter has only surfaced in the cell next door. When the real Big Man
arrives, the crooks are surprised to find their leader is The Big
Man's wife: Bessie Kowalski, The Big Woman! Although she fondly
recalls her singing career 30 years on, she still orders for The
Monkees' deaths! As their last request, Davy and Micky ask Bessie to
sing one last number with them. She acquiesces, and during her
renditions of "Ev'rybody Wants My Baby (But My Baby Don't Want
Nobody But Me)" and "Hi Neighbor," Davy's attempts to phone for help
fail. Then the quintet break into a rendition of the "(theme from)
THE MONKEES," and George and Lenny are asked to join in. Before they
perform, Davy gets hold of Lenny's gun, and a shootout ensues while
Bessie still sings The Monkees' theme. A ricocheting gun knocks
George's gun out of his hand, forcing him and Lenny to surrender.
After the hoods are captured - Bessie announces that while she and
the boys are in stir, they'll work up a new act as "Bessie & The
Bullets" - a policeman hands Davy a ticket for the reward, then
starts writing tickets for traffic violations! Mike gives the cop
back the reward ticket to cover the fines, and they start on their
way ("Well, that's show business!").
|
b: 24-Oct-1966
pc: 4704 w: Robert Schlitt and
Peter Meyerson d: James Frawley |
NOTE: Features the songs: "Papa
Gene's Blues" and "Tomorrow's Gonna Be Another Day". The latter tune
was replaced by a newly woodshedded remake of Boyce & Hart's
"Words" when NBC reran "The Monkees in a Ghost Town" on July 17,
1967.
Tag: during a chat, The Monkees
monkee around with camera filters. |
|
| 8.
Don't Look a Gift Horse in the Mouth (a.k.a.
Gift Horse) |
| gs: Charles Bail
(Jenkins) Jim Boles (Farmer Fisher) Jerry
Colonna (Dr. Mann) Henry Corden (Babbitt)
Jesslyn Fax (Mrs. Purdy) Kerry MacLane
(Jonathan) |
While Davy attempts to flip at
the beach, young Jonathan Fisher asks him to mind his black
stallion, Jeremy. The boy suddenly runs away, leaving Davy no choice
but to take the horse home. There, Peter serves Micky and Mike a
dish of his own recipe: Cream of Root Beer. Micky breaks out into a
werewolf routine that attracts their landlord, Babbitt, who hates
animals, suspicious they are keeping a dog. Threatened they will
lose their home if they defy Babbitt's rules against pets; they
explain it was Micky's werewolf imitation. They successfully fool
their landlord, until Mike sees Davy with Jeremy in the pad, and
tensions mount even further. Micky again breaks out into his
werewolf routine that again attracts their landlord, Babbitt—who
this time spots the black stallion! Micky and Mike again allay his
suspicions by telling him it's Davy and Peter in a horse costume for
a masquerade party. After Babbitt leaves, they try to drag the horse
outside, but he refuses to budge. While Davy rushes upstairs to
fetch their horse costume in hopes of further deluding Babbitt,
Peter manages to coax the stallion with a dish of his "soup," and
the horse collapses from fatigue. Mike then contacts Dr. Mann, a
confused veterinarian, who agrees to help aid the sick horse
("Sick?! I can probably help him! I'm a veterinarian!").
While Dr. Mann examines Peter and Davy in the horse suit,
they hear knocking upon their door. Fearing it's their landlord who
might see the vet and start asking him questions and get suspicious,
Mike puts the confused doc in their closet and answers the door. It
turns out to be their neighbor, Mrs. Purdy, who offers the boys
cake—and faints upon seeing Jeremy chomping it. Mike shouts upstairs
to Micky, who tosses a smoke bomb down from the balcony. Through the
mist, the two—along with Dr. Mann—try to revive Ms. Purdy. Mike
opens the door to clear the air—and finds Babbitt on the other side.
Closing the door in his face, he tells Davy and Peter to don their
costume; he reopens the door, and Babbitt storms in—and faints upon
seeing the horse telling him "hello" (never mind that it's really
Peter in disguise).
The next morning, Davy learns from
Jonathan that his father, Mr. Fisher, is determined to sell the
horse, and The Monkees decide to help Jonathan keep his pet. They
agree to work on Mr. Fisher's farm to pay for the horse, but, having
no experience as farmhands, all goes poorly: Micky, Mike and Davy
pitch hay and unintentionally bury Peter under a stack, and Micky,
in demonstrating to Peter how to call hogs, emits a call that
attracts chickens. In a musical romp set to "Papa Gene's Blues."
their attempt to milk a cow has them emulating a matador routine -
and ends with Mr. Fisher being drenched and firing them. The Monkees
are about to leave when Jenkins, a neighbor, bets that his horse can
outrun Jonathan's. The Monkees put up their electric guitar against
his hundred dollars, and Davy, a former jockey, rides the black
stallion to victory to the tune of "All the King's Horses". The
Monkees use their winnings to insure that Jonathan will keep his
pet. Later, Micky, Mike and Peter step in just in time to prevent
Davy from minding another child's pet (a camel!) and finish their
rendition of "Papa Gene's Blues."
|
b: 31-Oct-1966
pc: 4708 w: Dave Evans d:
Robert Rafelson |
NOTE: Features the songs: "Papa
Gene's Blues" and "All the King's Men". The song "All the King's
Men" was unreleased and both songs were written by Michael Nesmith.
|
|
| 9.
The Chaperone |
| gs: Henry Corden
(Babbitt) Diana Chesney (Mrs. Weefers)
Sherry Alberoni (Leslie Vandenberg) Judy Murdock
(Cynthia) Arch Johnson (Gen. Harley Vandenberg)
|
Davy falls for Leslie Vandenburg,
daughter of retired general Harley Vandenburg, but, despite his
disguises as a magazine subscription salesman and, with Micky, a
bomb shelter inspector, can't get past her father. Cynthia, Leslie's
friend, reports that Leslie is only allowed to attend only
chaperoned parties. Over the phone, General Vandenburg agrees to
allow Leslie to attend a Monkees party when Micky - disguised voice
as Col. "Dodo" Dolenz - assures him a chaperone will be present.
After the boys frantically decorate their pad to the tune of "This
Just Doesn't Seem to Be My Day," a frantic search ensues for a
suitable chaperone. They reject the services of their landlord, Mr.
Babbitt, because of his over-expensive fees. The Monkees coach Mrs.
Weefers, their cleaning woman (who comes to clean on the second
Tuesday of every month with an 'R' in it!), for the role, but she
spikes the punch and gets stone-cold drunk before the guests arrive
and the party begins.
In desperation, Micky, disguised as
Mrs. Arcadian, acts as the chaperone. Completely charmed by "Mrs.
Arcadian," the General spends the evening pursuing her, even during
The Monkees performance of "Take a Giant Step," but becomes outraged
on learning how he has been deceived and marches everyone out of the
door. Everyone is stunned when the General announces the chaperone
has consented to be his wife, until he whips off Micky's wig. He
calms down when Leslie scolds him for being so uptight and Davy
explains it was the only way he could be with Leslie. The next day,
Leslie reports that her father doesn't require her to be chaperoned
anymore, but, chased up a tree by Leslie's huge new dog, Davy finds
this hard to believe! Peter tries to impress Mike and his lady
friend with his impression of Tarzan swinging on a vine, but
splashes in the public fountain. Orange sharkskin suit-clad Monkees
finish the set by hamming it up in the fountain, and singing "You
Just May Be the One" on the bandstand.
|
b: 07-Nov-1966
pc: 4711 w: Gerald Gardner and
Dee Caruso d: Bruce Kessler |
NOTE: Features the songs: "This
Just Doesn't Seem to be My Day," "Take a Giant Step" and "You May
Just Be the One." "The Chaperone" was planned for rebroadcast on
August 7, 1967 with its soundtrack revised to include the The
Monkees' Headquarters' remake of "You Just May Be The One" in
the place of the original, but these plans never came to fruition.
The song "Midnight Train" replaced
"This Just Doesn't Seem to be My Day" when the series was rerun
Saturdays on CBS and ABC in the early 1970's. |
|
| 10.
The Monkees (a.k.a. Here Come the
Monkees) |
| gs: Joe Higgins
(Guard) Paul Mazursky (TV Interviewer)
Robyn Millan (Vanessa Russell) Bing Russell (Rudy
Gunther) Richard St. John (Charles Russell)
June Whitley Taylor (Mrs. Russell) Larry Tucker
(Dr. Lionel B. Turner) |
The Monkees—Davy, Mike, Peter and
Micky—are four talented musicians, who open this segment by staging
a mock assault on Davy and scaring away Lionel B. Turner, a doctor,
during a TV interview. He helps a little old lady across the street
and is charged $.15 for his kindness. The Monkees' manager, Rudy
Gunther, a 45 year-old ex-Marine Sergeant who owns a record store,
Rudy's Record Rack, sends them to the Riverdale Country Club, where
his old Marine buddy Charles Russell is auditioning bands for a
Sweet Sixteen Party he is giving his daughter, Vanessa. When the
boys arrive, Mr. Russell and Vanessa are sedately dancing to the
square melodies of Sven Helstrom and his Swedish Rhythm Kings.
During The Monkees audition—a rocking version of "I Wanna Be
Free"—Davy's eyes meet Vanessa's and they fall in love, fantasizing
about fun in the Kiddieland amusement park. The Monkees are hired,
but Vanessa becomes so involved with Davy that she neglects her
schoolwork and flunks history. At the beach, Jill Gunther, Rudy's 16
year-old daughter and Vanessa's friend, explains to the boys that
Vanessa will get a makeup final, but they are in danger of losing a
job if she flunks it, too—and that her admirations for Davy is the
reason for her failure to concentrate on her schoolwork. Feeling
responsible, Davy takes leave of the group to sadly take a stroll
down the beach, to a much slower tune of "I Wanna Be Free." In a
fantasy sequence as lawyers in a board meeting, the boys select Davy
to help Vanessa pass her final. Having disguised themselves as
deliverymen, The Monkees smuggle Vanessa out of the house and
improvise a unique history course in which they dramatize historical
events in music, resulting in her passing a makeup exam.
However, Mr. Russell still orders The Monkees to be barred
from the dance and a guard chases them away, while Sven Helstrom and
his Swedish Rhythm Kings perform. When Russell learns The Monkees
helped Vanessa pass her history test, he leads a wild but successful
chase from the front lawn to the game room to get them back. When
the guard finally corners the boys in the ballroom, Mr. Russell
tells him they are invited. The guard bellows, "You've sold out,
sir! Your country club, and yourself!!!" and storms off. Mike gets
the Swedish Rhythm Kings off the bandstand by announcing that
"Norway has just declared war on Sweden, and all the Swedish
nationals are to report to their embassy." The Kings, patriotic
beings they are, march off, and The Monkees get the joint jumping
with "Let's Dance On." During the number, the partygoers are joined
by a drunk from the bar, Dr. Turner and the old lady, and the TV
Interviewer, who tries in vain to conduct a "Man-In-The-Ballroom"
interview. From the bandstand, Davy sees another girl, and again
sparks fly. Afraid that Davy's new passion may cost them their first
job, Micky, Mike and Peter, brandishing balloons as weapons, madly
dash after Davy.
|
b: 14-Nov-1966
pc: 4091 w: Larry Tucker and
Paul Mazursky d: Mike Elliot |
NOTE: Features the songs: "I
Wanna Be Free" and "Let's Dance On." This was the pilot for the
series.
Tag: Micky and Peter (in the midst of
shooting episode no. 16, "Son of a Gypsy") introduce black and white
segments of spontaneous, unrehearsed screen tests featuring Mike and
Davy from October 1965. |
|
| 11.
Monkees a'La Carte |
| gs: Karl Lukas
(Rocco) Dort Clark (Inspector) Paul
Sorenson (Red O'Leary) Helene Winston (Big
Flora) John Kowal (Paddy the Fix) Paul
'Mousie' Garner (Benny the Book) Paul DeVille
(Pop) Harvey Lembeck (Fuselli)
|
While The Monkees are eating a
footlong at Pop's Restaurant, Fuselli, a gang boss, and Rocco, his
torpedo, take over the place and fire them. At a meeting, Michael,
Micky, Peter and David determine to get the restaurant back for Pop.
They apply for jobs as musicians, but Fuselli instead sets them to
work at everything from waiting on tables to cooking spaghetti and
acting as hatcheck girls. Having no experience whatsoever in any of
them, the boys wreck the entire soup kitchen in a hilarious musical
sequence set to "(I'm Not Your) Steppin' Stone." They approach a
police inspector who agrees to help them and mentions that the only
syndicate members captured so far are all four members of The Purple
Flower Gang. But all of The Monkees' attempts to link Fuselli to the
syndicate miserably fail, from fingerprinting, to recording a
conversation by telephone, to attatching explosives to a safe in his
office.
Fuselli plans to entertain his friends, all members
of the syndicate and orders The Monkees to wait on tables. At the
dinner, the members of the syndicate have never seen each other
before, for self-protection reasons, and they introduce themselves:
Red O'Leary, (bank robbery-protection), Big Flora (fraud-extortion),
Paddy The Fix (drugs-diamond smuggling) and Benny The Book
(bookmaking-numbers). The Monkees see this as an opportunity to
employ a little quick-change magic, and they pose as The Purple
Flower Gang. When Flora inquires about their wearing white
carnations, Micky replies, "Y'know how tough it is t'get poiple
flowahs, baby?!" Micky, Michael and David stay at the dinner, while
Peter overcomes Rocco the torpedo to escape to Police HQ, where,
since he is dressed as a member of the PFG, the inspector holds him
for questioning. Fuselli starts divvying up the crime operations of
the city among the mobsters, while Micky, Michael and David
repeatedly quick-change from gangster to waiter to gangster to
accommodate his guests.
As the end of the meeting, Michael
and David intervene and complain about the split being unfair, and,
with black paint, divvies up different crime operations to the mob
in a tic-tac-toe pattern, while Micky whispers in each mobster's ear
about suspicions of a double-cross. The dispute that ensues erupts
violently into a gunfight. When the fusillade begins Micky, Michael
and David hide under the table; Micky stops the deadly slaughter
long enough to allow a pretty girl enter, smile, and exit. (Hiding
under the table, Michael continues to defeat David as they continue
playing tic-tac-toe---until David finally wins.) Despite Micky's
efforts to temper them, the entire syndicate knocks off each other;
Fuselli himself is also killed when Benny The Book raises his
slumped head long enough to shoot him ("You d-d-d-dirty rat!").
Peter arrives with the police who arrests the other Monkees,
thinking they are Purple Flower Gangsters and they are responsible
for the lifeless mobsters strewn all over the room; a romp set to a
reprise of "Steppin' Stone" concludes with the boys moaningly pacing
in their cell. When Pop returns, the boys end with a musical number:
"She."
|
b: 21-Nov-1966
w: Gerald
Gardner & Dee Caruso
and Bernie Orenstein d: James Frawley |
NOTE: Features the songs: "(I'm
Not Your) Steppin' Stone" and "She." |
|
| 12.
I've Got a Little Song
Here |
| gs: Larry Gelman
(Director) Leigh Chapman (Joanie Janz)
Mary Foran (Hilda) Bobby Johnson (Postman)
Phil Leeds (Bernard Class) Buddy Lewis
(Watchman) Owen McGiveney (Old Man) Joseph
Mell (Harry) |
Impressed by a letter from Bernie
Class assuring him that he can get rich writing hit songs, Mike
writes a song, "Gonna Buy Me a Dog" (actually a Boyce-Hart tune!)
and submits it to the High Class Music Publishing Company (which
also does Greeting Cards, Storm Windows, Reconditioned Vacuum
Cleaners, Magazine Subscriptions, and Door Lettering!). Once there,
he greets another aspiring songwriter: a little old man. When Bernie
(who is terribly in adept at pronouncing Mike's last name) accepts
Mike's song and tells him he'll sell the song to Joanie Janz, the
greatest singer in show business, Mike calls Micky, his mother, and
Mr. (Tim?) Conway, whom he met on a bus five years ago. At home, The
Monkees imagine a sequence set to "Gonna Buy Me a Dog" featuring
them traipsing all over the lawn with - what else? - dogs. Having
pawned his guitar for $99.95, Mike pays the amount for legal fees
and incidentals, but asks Bernie to prove he'll sell the song to
Joanie Janz; Bernie personally phones Janz, but pretends to do so in
order to dupe Mike, as he inadvertently dials the number of Harry
and Hilda, an elderly couple. Sure he's on his way to fame and
fortune, Mike calls his mates, but Micky tells Davy and Peter that
he may be the victim of a con man, and they change into the super
heroic Monkeemen. Posing as piano tuners, the boys spy on Bernie
speaking into a Dictaphone telling to put a letter he wrote to Mike
"praising" his song into mimeo and have 500 copies printed. This
convinces them that he is a swindler, and attempts to warn him. Mike
takes his song to the soundstage where Joanie is making The Wolf
Girl Meets The Vampire in the Old West, but becomes dejected when
Joanie tells him she never heard of him or his song!
At the
pad, Mike, oblivious to such a rejection but refusing to believe he
was conned, sadly sits on his bed, resisting every attempt his mates
make to cheer him up. Then Micky phones Bernie and summons him to
Mammoth Studios; there, Micky, Davy and Peter park The Monkeemobile
in Dean Martin's spot and brashly proceed to take things over.
Bernie finds the producer and his camera personnel fawning over
Micky - who has dubbed himself movie mogul "M.D." - and his pals.
"M.D." tells Bernie he wants, for his "new movie" starring Joanie
Janz (and Gregory Peck, Elizabeth Taylor, Doris Day and Sonny
Tufts!), a song whose title must include a dog, because Joanie
portrays the part of an animal lover. Bernie suggests Mike's tune,
"Gonna Buy Me A Dog," and, within 8 minutes, he gets him over to the
studio, but Mike asks for $200 in order to place the song under
exclusive contract. Bernie only produces $199, but Mike takes it
anyway, and the four Monkees laugh at having turned the tables on
the swindler. A song sequence set to "Mary, Mary" ensues, with the
boys gallivanting around a soundstage. Mike decides to share the
$199 with his fellow victim, the old man, and prepares to leave,
with Micky and Davy, when they find Peter missing. They look up in
the sky and discover Peter, garbed in super heroic Monkeeman gear,
flying through the air.
|
b: 28-Nov-1966
pc: 4707 w: Treva Silverman d:
Bruce Kessler |
NOTE: Features the songs: "Mary,
Mary" and "Gonna Buy Me a Dog."
The 26 Jun 67 repeat of this episode
featured the songs: "For Pete's Sake" and "Gonna Buy Me a Dog."
|
|
| 13.
One Man Shy (a.k.a. Peter and the
Debutante) |
| gs: George Furth
(Ronnie Farnsworth) Lisa James (Valerie
Cartwright) |
Snobbish Ronnie Farnsworth
disapproves when debutante Valerie Cartwright hires The Monkees to
play at her coming-out party. Peter falls in love with Valerie, but,
unable to express his feelings, steals her portrait. In a reworking
of Cyrano De Bergerac, Micky, Mike and Davy scream affectionate
phrases which Peter lip-synchs to Valerie up above in her
balcony—eventually winding up with Peter being slugged by the
groundskeeper. Ronnie finds the portrait at The Monkees pad and
tries to contact the authorities; "You do, and I'll be sorry!"
screams Micky in retort. Although Val foils Ron's attempts to give
them up, The Monkees decide they must put Ron in his place before he
gets them. Soooooooo, Davy, Mike and Micky, donning disguises as a
waiter, a park man, and a toy salesman, respectively, appear
wherever Ron and Val are together, each time trying to prove what a
rotter Ron is. Seeing through their plot, Ron repeats the procedure
on Davy, Mike and Micky by outshining them in skeet shooting,
archery, and badminton, respectively, to show Val how low class the
boys are. Annoyed by his actions, Val asks Pete to be her escort at
her coming-out party, but Pete, overcome by shyness, tries to bow
out. Micky, Mike and Davy give him lessons on how to act with
Valerie, singing "I'm A Believer."
The Monkees, accompanied
by a lady, play "spin-the-bottle," but Peter always loses, since the
bottle always points to Davy. Later, at the party, Micky coerces
Peter in discussing, music, books and politics, but his attempts to
converse with Val fail so badly that Micky, Davy, and Mike decide to
give him a hand. Respectively incognito as a stockbroker, a private
tailor, and a yacht captain, the three try to convince Val that
Peter is really a shy tycoon. When Ron defeats this ploy, Val tells
Peter he's a fine person just being himself. As The Monkees perform
"You Just May Be the One," Peter, with newfound confidence, beats
Ronnie in every type of competition he proposes to win Valerie's
favor. In the end, Peter winds up finally winning "spin-the-bottle,"
and is in turn smooched by four girls.
|
b: 05-Dec-1966
w: Gerald
Gardner and Dee Caruso
and Treva Silverman d: James Frawley |
NOTE: Features the songs: "You
May Just be the One" and "I'm a Believer." An August 14, 1967 repeat
of "One Man Shy" featured "Forget That Girl" in lieu of "I'm a
Believer." |
|
| 14.
Dance, Monkees, Dance |
| gs: Elizabeth Camp
(Woman) Stephen Coit (Timid Man) Karen
James (Miss Buntwell) Derrik Lewis (Smoothie)
Hal March (Renaldo) |
When a correct answer to a really
tough trivia question ("Who was the 8th President of The United
States of America?") wins Peter a free dancing lesson (valued @
$12.98 [?!]) at the Renaldo's Dance Au Go Go school, the boss,
Renaldo, and his shapely aide, Miss Buntwell, trick him into signing
a lifetime contract. Davy, Micky and Mike are concerned about
Peter's dancing his way to the poorhouse; when Peter declares his
tearing up the contract won't get him convicted in any court, they
all take part in a hilarious fictitious courtroom scene. Davy, Micky
and Mike don robes and wigs as the defense attorney, the prosecutor,
and the judge, respectively; and Peter is grilled ruthlessly by
prosecutor Micky, hit over the head by Judge Mike's gavel, and
eventually found guilty! Returned to reality, Micky (incognito as
Peter's solicitor who claims Peter has "ballpointitis," a need to
sign long-term contracts!) and Mike try to break Peter's contract
but are instead tricked into signing similar contracts. Deciding
they need help from the inside, Davy, with the most dancing
experience, gets a job as a dance instructor at Renaldo's and
proceeds to teach his friends every type of dance from The
Charleston to The Hula, singing "I'll Be Back Up On My Feet."
Deciding on drastic action to break out of Renaldo's
contract, Micky walks off the Monkee pad set into a roomful of
Chinese writers and asks them for an idea for the show. They present
him with one, which he takes back to the set, crumples up and
discards ("Man, this is a terrible idea! Those guys are really
overpaid!"). Davy instead notices an ad guaranteeing love and
adventure at the studio. The next day, an army of older women
invades the place. Micky and Peter, incognito in several disguises,
show exactly the opposite of the intentions explained in Davy's pep
talk while Mike keeps Miss Buntwell occupied with his maniacal
admirations for her, but Renaldo defeats both ploys. Then Miss
Buntwell prepares The Dancing Smoothies, four oily looking
characters. The Monkees pull out snub-nosed pistols, mugging The
Smoothies and don their colorful tuxedoes. Soon The Monkees,
Renaldo, The Smoothies, the ladies, a dog, and Miss Buntwell engage
in a wild promenade to the tune of "I'm A Believer," which ends with
Renaldo and The Smoothies wrapped in their own banner. When The
Monkees appear the next morning, Renaldo is only too happy to tear
up their contracts and save his studio.
|
b: 12-Dec-1966
w: Bernie
Orenstein d: James Frawley
|
NOTE: Features the songs: "I'm a
Believer" and "I'll Get Back up on My Feet." |
|
| 15.
Too Many Girls (a.k.a. Davy and
Fern) |
| gs: Reta Shaw
(Badderly) Jeff De Benning (Mr. Hack)
Kelly Jean Peters (Fern Badderly) David Price
(Himself (cameo)) |
The Monkees are in their pad
rehearsing "(I'm Not Your) Steppin' Stone", but David's
girl-induced, catatonic trance continuously disrupts them. He vows
no more girls, but everywhere they look, there are more girls
staring longingly at him: one holding Michael's guitar, one hiding
in their fridge, and another standing on a chair. Micky, Michael and
Peter shoo them out, but David finds himself in a harem-like state
surrounded by the same girls. The Monkees travel by Monkeemobile and
see Mrs. Badderly, a gypsy tea room owner, who decides that David is
the key to her daughter Fern's success in show business. Mrs.
Badderly makes two predictions about Michael about to have a flat
tire and Peter's coming down with a 24-hour virus, and Fern
Badderly, with the able use of some pepper and a nail, makes them
come true. Then, Badderly predicts David will fall in love within 24
hours and leave his friends. When The Monkees leave, Michael sees
The Monkeemobile's right front tire is flat and Peter starts a
sneezing fit. The con jobs convince them and, believing her third
forecast, dump David in The Monkeemobile, repair its tire, and
immediately rush him to their pad, where they imprison him and are
determined that he will not meet any girls for one day! All of Fern
Badderly's attempts to break in, wearing different disguises, fail,
and the boys manacle David to a chair in front of a TV. Then David,
while watching the Screen Gems western Iron Horse (ABC, 1966E8) in
his mates' absence, gets a bid to judge a beauty pageant and
escapes, still shackled to his chair. When the other Monkees find
David missing, they find the invitation he left behind. Peter
wonders, "How far can he get dragging a chair?" The three suddenly
race after him; at one point they think they've found David, but
it's another young man (David Price!) dragging a chair chained to
his foot!
Sure enough, David and his chair both reach their
destination, and he discovers that not only is Fern Badderly the
only contestant, the pageant is held in Mrs. Badderly's tea room.
Thinking he's in love, he agrees to appear with Fern as her partner
on a TV amateur hour. Micky, Michael and Peter recieve a telephone
reminder by Mr. Hack and learn that Fern is, in actuality, Mrs.
Badderly's daughter. They also realize that if David wins their act
will break up, and they think of something drastic to make him lose.
On the show, Peter appears as The Astonishing Pietro, an inept
magician whose act culminates in him crying over spilled milk
(literally!), Michael, as Billy Roy Hodstetter, a corny folk singer
who sings a hackneyed speedy rendition of "Different Drum," and
Micky, Locksley Mendoza, an even cornier and more inept comic-mimic
whose celebrity impersonations are all the same: James Cagney. Then
they give David a squirt of breath spray laced with a formula to
make his voice crack, fill his jacket with rocks and give him a
rubber cane. Fern cries as her act with David gets fouled up, and
David finally realizes he has been tricked into leaving his mates.
The host, Mr. Hack then throws to his sponsor, but The Monkees are
quick to correct him: "His sponsor? No, our sponsor!" When we
return, Mr. Hack does a commercial for the amateur hour's sponsor, a
product named "SDRAWKCAB," a vitamin supplement which contains
aluminum ("A little iron is fine, but remember: iron can rust!
Remember, SDRAWKCAB spelled backwards is 'backwards'!")! The final
entry in the talent show is The Monkees, having successfully foiled
Mrs. Badderly's scheme, who join in a numberE#034;I'm A
Believer"—but Hack declares Fern and David the
winners!
|
b: 19-Dec-1966
w: Dave
Evans and Gerald Gardner and Dee Caruso s: Dave Evans d:
James Frawley |
NOTE: Features the songs: "(I'm
Not Your) Steppin' Stone" and "I'm a Believer," and a clip from
rival show Iron Horse, which aired on ABC directly opposite
The Monkees! |
|
| 16.
The Son of a Gypsy |
| gs: Jeanne Arnold
(Mama Maria) Vincent Beck (Marco)
Elizabeth Camp (Madame Rantha) Gene Dynarski
(Kiko) James Frawley (Yugoslavian Guest (uncredited
cameo)) Mario Roccuzzo (Zeppo) Vic Tayback
(Rocco) |
Maria, a gypsy, her Grumchek
sons, Marco, Kiko, Zeppo and Rocco, and The Monkees audition to play
at a party at Madame Rantha's mansion. The gypsies are furious when
The Monkees are chosen over them, since they hoped to steal Rantha's
Maltese Vulture, a jewel-encrusted statuette. Maria tells The
Monkees that there are no hard feelings and invites them to their
gypsy camp. There, The Monkees deck out in gypsy clothing, Marco
gives each Monkee a good luck charm, and the boys are initiated into
the camp. Rocco shows Micky the fine arts of predicting the future
via tealeaves, Marco shows Davy how to fight with a switchblade,
Kiko teaches Peter a lesson in gypsy dancing and Zeppo instructs
Mike on phrenology (i.e., the reading of bumps on one's head), and
before they are finished, Micky drinks a mug of tea spiked with a
potion which renders him unconscious, Davy is used as a knife
throwing target, Peter is wrapped up in lace, and Mike is knocked
cold. Finally bound hand and foot and threatened with torture by
fire, The Monkees consent to steal The Vulture for Maria. Holding
Peter hostage, Maria threatens to kill him should The Monkees fail
to deliver The Vulture by midnight. Marco, who has a good ear for
robberies, takes Peter's place and drags Micky, Mike and Davy to the
party.
At the party, Micky, Mike and Davy unsuccessfully try
to alert Mme. Rantha, a guest, and the police. Marco tells them to
dispose of the two guards outside the bedroom in which The Vulture
is hidden; suddenly realizing Peter's life is at stake, the boys
swing into action. While Micky and Mike create a diversion for the
guards (failing with a phony robbery, a phony attack, and a phony
arson threat but finally succeeding as litterbugs!), Davy sneaks
inside the bedroom, but although he uses an arsenal of tools, he
can't crack the safe. Then, Madame Rantha, along with a guest and
Mike and Micky, disguised as party dilettantes, enters the room,
opens the safe which was unlocked all along, and shows them the
jewel-encrusted Maltese Vulture. Suddenly, midnight arrives! Davy
snatches The Vulture from Madame Rantha and throws it out the window
into Peter's hands, thus saving him from being slashed to death by
Maria and her Gromcheks - but Mama Maria accuses Davy and Peter for
masterminding the theft. Grateful, Madame Rantha thanks Maria and
tells her to take anything she wants, and she does: The Vulture! A
mad musical chase set to "I'm A Believer" ensues before The Monkees
round up The Gypsies in a mock football game. After The Maltese
Vulture is returned to Mme. Rantha, The Gypsies vow to reform, but
leave with Mike's and Davy's watches, Micky's wallet, and
Peter!
|
b: 26-Dec-1966
pc: 4724 w: Treva Silverman and
Gerald Gardner and Dee
Caruso s: Treva Silverman d: James
Frawley |
NOTE: Features the songs: "Let's
Dance On," "Last Train to Clarksville" and "I'm a Believer."
|
|
| 17.
The Case of the Missing
Monkee |
| gs: Ivan Bonar
(Policeman) Nancy Fish (Nurse) Vincent
Gardenia (Bruno) Norbert Schiller (Prof. Milo
Schnitzler) Vito Scotti (Dr. Markovich)
|
At a French restaurant, The
Monkees play at a testimonial dinner for Professor Milo Schnitzler,
a nuclear scientist, who delivers a speech. The guest of honor hands
Peter a note saying that he is being taken to The Remington Clinic,
a rest home. After giving the note to Mike, Peter is knocked
unconscious, and is dragged off, too. Worried about Peter's
disappearance, Mike takes out the note that Peter gave to him. The
Monkees set out for The Remington Clinic, where they ask a nurse of
the whereabouts of Peter, but she tells them to go to a policeman.
Micky, Mike and Davy take a policeman to the French restaurant where
Peter was seen last, but it has been altered to resemble The Orient,
with Dr. Marcovich, a master spy, disguised as a Chinese waiter. The
boys try to smuggle Davy in, disguised as an accident victim, but
fail again, and Davy consumes a cough drop that induces spells of
singing and dancing to the tune of "Old Folks at Home (Way Down Upon
the Swanee River)." The three climb up a ladder, break inside the
hospital, and disguise themselves as patients. Meanwhile at the
clinic, Schnitzler has been drugged and Peter tied up. Marcovich
tells Bruno, his aide, that they are transporting Schnitzler out of
the country.
When they leave, Peter, in homage to an old
C.C. Beck-created superhero, shouts "Shazam!," but a bolt of
lightning shatters a mirror ("Well, another seven years bad luck for
Captain Marvel!"). Micky, Mike and Davy are given harsh physical
therapy by Bruno, while Peter has a dose of Marcovich's sinister
brain drain. Micky, Mike, and Davy abandon all hope until they
finally find Peter—who claims he doesn't know them! When they scare
Peter to restore his memory, they learn of Schnitzler's predicament
and find that Marcovich and Bruno plan to operate on Schnitzler and
smuggle him out of the country in an ambulance (overseas?!?!). They
force Micky to take Schnitzler's place when they hear Marcovich and
Bruno arrive, and, garbed as doctors, Mike, Davy and Peter take over
the operation. Outwitted for a time, Marcovich finally discover he
is dealing with The Monkees. A mad musical chase set to "(I'm Not
Your) Steppin' Stone" ends in the physical therapy room, where the
boys turn the equipment against the villains. Sure that they should
undoubtedly get 20 years from a federal judge, and probably get a
good wrist-slapping from the American Medical Association, The
Monkees set off in their Monkeemobile. Case closed.
|
b: 09-Jan-1967
pc: 4731 w: Gerald Gardner and
Dee Caruso d: Robert Rafelson
|
NOTE: Features the song: "(I'm
Not Your) Steppin' Stone." "Pleasant Valley Sunday" replaced
"Steppin' Stone" when "The Case of the Missing Monkee" reaired on
NBC July 24, 1967.
The day following the firstrun
telecast of "The Case of the Missing Monkee" saw the release of
Monkees album #2, otherwise known as More Of The Monkees
(#COM/COS-102). |
|
| 18.
I Was a Teenage Monster |
| gs: Byron Foulger
(Groot) John Hoyt (Dr. Mendoza) Dick Kiel
(Monster) |
This parody on teenage horror
flicks finds The Monkees hired by mad scientist Dr, Mendoza, at a
Gothic mansion on Rosebud Lane. In Mendoza's lab, the doctor plans
to turn a seven foot monster into the world's greatest rock and roll
singer. The Monkees try to leave, but decide to stay and teach the
monster the art of rock and roll for $200. That night, Groot, the
valet, takes them to their room where they meet the mad doctor's
beautiful daughter in a closet (who claims to have nothing to do
with this episode, as she is in the sequel). While watching a horror
movie about brain transplants, the boys disappear one by one and
find themselves strapped to boards in the basement lab. The doctor
tells them he plans to transplant their musical prowess into the
monster's body, and proceeds with the operation, sparkling the place
with electrical vibrations. When it stops, The Monkees find they
can't sing, while the monster has all the talent. Mike threatens to
go to the police, but Dr. Mendoza touches each Monkee with his
stethoscope and erases whatever memory they have of what has taken
place, and prepares the next phase of his experiment, whether his
monster can fool an audience.
The next morning, The Monkees
find that all of their musical talent has deserted them—and gape in
awe as they watch the monster perform, with their voices, a brief
snippet of "Tomorrow's Gonna Be Another Day" in his world premiere
as The Swinging Android. In another room, The Monkees suddenly
remember the laboratory where the doctor drained them of their
musical talents and made them forget about it. Realizing they must
reverse the process, The Monkees prepare to go to work in the lab.
The first three attempts produce hilariously futile results: one
turns the monster into a super hippie, the second has Mike growling
in an unusually deep voice, and the third has the monster executing
a fey interior decorator's stint. As if all this aren't bad enough,
Micky accidentally knocks over a glass and breaks it, attracting the
attention of Mendoza and Groot, who enter. A mad fight ensues for
control of the monster, which Peter finally wins, and everyone madly
capers about to the tune of "Your Auntie Grizelda." After the doctor
and Groot are tied up for the police, The Monkees feel they have
their musical ability again, but when they start strumming their
guitars, their fingers cut through the strings, shattering the
amplifiers.
|
b: 16-Jan-1967
w: Dave
Evans and Gerald Gardner and Dee Caruso s: Dave Evans d:
Sidney Miller |
NOTE: Features the songs:
"Tomorrow's Gonna Be Another Day" and "Your Auntie Grizelda."
|
|
| 19.
Find the Monkees (a.k.a. The
Audition) |
| gs: Carl
Ballantine (Hubbell Benson) Joe Higgins
(Masseur) Bobo Lewis (Irene Chomsky) Art
Lewis (Inspector) |
Every local group in the
neighborhood—The Four Martians, The Foreign Agents, and The Jolly
Green Giants—drop in on The Monkees beach pad to tell them the great
news: they have been invited to a TV audition by Hubbell Benson, a
TV producer. Sad because Benson hasn't asked them to audition, the
boys decide to send him a recording, but Micky has left the tape in
a rented recorder. Benson's secretary, Irene Chomsky, accidentally
rents the very same machine, and when Benson hears the tape of The
Monkees singing "Mary, Mary," he wants to hire them but doesn't know
who or where they are! The Monkees go to Benson's office at KNBC-TV
studios, but Peter gets the hiccups. Davy and Micky's attempts to
cure him result in his contracting seasickness and hay fever. By the
time Peter is cured, Benson has left for the Missing Persons bureau,
where its secretary gets a hassle searching for a pencil. The
Monkees decide to go right up to Benson's office and see him
personally, but Peter suffers a hiccup relapse; this time, the
others' attempt to cure Peter's hiccups by scaring them out of him
only makes him worse than before! Newsmen check the story and Benson
sees a great publicity gimmick, while The Monkees, with their song
"Sweet Young Thing," try but fail to audition for Benson over the
phone. (Daily Planet reporter Clark Kent gets stuck in the phone
booth after The Monkees and reemerges as Superman!)
Reporters feature Benson's search for the mystery group in
the morning paper, which the boys read. Unaware that Benson is
looking for them, The Monkees engage in a romp set to "Papa Jean's
Blues" as they pop up wherever Benson goes, and, in various
disguises (as a Salvation Army band, a marching band, a Country and
Western group and a gypsy group), hound him with gypsy, hillbilly,
parade and calypso numbers, but are avoided at every turn. Back at
the office, Benson, tired of looking for the mystery group, gives up
and decides to audition the groups to whom they sent invitations:
The Martians, The Agents, and The Giants ("Maybe they're something!
Baby!"). They arrive, and when Chomsky plays The Monkees' tape
again, they are finally identified by one of The Giants. Benson,
Chomsky, and all three bands head for The Monkees pad. So impressed
is Benson by the boys' impromptu rendition of "Sweet Young Thing,"
he proceeds to sign them up, but he hears his secretary sing and
decides to star her instead. During a quiet drive in their
Monkeemobile, the boys try to hide their disappointment, but Peter's
so blue he wants to go to the South Seas! He disappears when he
learns from Mike that TV stars can make $5000 a week, and the other
Monkees go to the Missing Persons Bureau, in hopes of finding
him.
|
b: 23-Jan-1967
pc: 4721 w: Dave Evans d:
Richard Nunis |
NOTE: Features the songs: "Papa
Gene's Blues," "Sweet Young Thing," and "Mary, Mary." An alternate
print of this episode features The Monkees performing "I'm a
Believer" (from Episode No. 15, "Too Many Girls") replacing the
interview segment.
Tag: The Monkees discuss the clashes
of youth demonstrators with the LAPD over curfew issues outside a
popular teenage nightspot, Pandora's Box, inciting a riot that led
to its ultimate annihilation - a catastrophic event which would
become the cryptic inspiration for the Mike Nesmith tune "Daily
Nightly." |
|
| 20.
The Monkees in the Ring |
| gs: Peter Canon
(Bully) George Cisar (Reporter #1) Ned
Glass (Joey Sholto) Jerry Hausner (Fight
Announcer) Jimmy Lennon Sr. (Ring Announcer)
Robert F. Lyons (The Smasher) D'Urville Martin
(The Champ) Richard S. Ramos (Reporter #2)
|
The fight game gets its lumps in
this episode. Walking down the street, Davy chides Peter about his
leaving a trail of pistachio nuts across the city ("Y'know, if you
committed a crime, the police'd find you in 2 minutes!"). Peter
apologizes and goes back to pick up the litter of nuts, when
suddenly he bumps into a bully. The bully makes ready to slug Peter
when Davy intervenes and accidentally subdues him with a light tap
on the chin. Joey Sholto, a fight racketeer, bears witness and tells
Davy he can become a world champ. Davy's mates feel they'd rather
see him alive and well than rich and famous, but Davy goes along
with Sholto, and adopts the sobriquet "Dynamite Davy Jones." Joey
tells Vernon, an ex-boxing champ turned hood that he'll arrange a
series of setups for Davy; when he fights the champion, they'll bet
against Davy and make a killing when he loses. In a romp set to
"Laugh," Davy is put through a rough training regimen and goes on a
boxing tour—where every bout he competes in is thrown by men set up
by Sholto. During a press conference, Mike learns of Sholto's scheme
as he receives a phone call by The Smasher, one of Sholto's men, in
a money dispute. He tries to warn Davy, but he refuses to believe
the fights were fixed, impressed by his easy victories.
Having seen a futile plan by Micky, Mike and Peter to
convince the champ not to fight Davy, Vernon rushes to inform
Sholto, who, to insure the champ's victory, instructs Vernon to slip
Davy a sleeping pill before the fight and make sure Davy's friends
don't get out of their pad. By mistake, the champ gets the pill;
meanwhile, at the pad, Micky, Mike and Peter, about to go to the
arena to stop the fight, are stopped at gunpoint by Vernon and are
forced to watch the brutal carnage of their buddy on television. In
the ring, the champ is groggy for the first three rounds, but wakes
up at the fourth, just as Micky, Mike, and Peter lock Vernon in
their closet and rush to the ring to save Davy. Soon, as The Monkees
sing "I'll Be Back Up On My Feet Again," three fights are on: Davy
and the champ, Sholto and Mike, Micky and Vernon, whilst Peter takes
over as timekeeper. With his help, The Monkees win and are declared
world champs. When Sholto is arrested for kidnapping, assault,
fraud, and attempted bribe, he complains that guys like The Monkees
are ruining the fight game. Soon afterward, timekeeping Peter
announces the national anthem; Davy raises his right gloved hand to
his forehead to salute—so hard that he knocks himself
unconscious.
|
b: 30-Jan-1967
w: Gerald
Gardner and Dee Caruso
d: James
Frawley |
NOTE: Features the songs: "Laugh"
and "I'll Be Back Up On My Feet." |
|
| 21.
The Prince and the
Paupers |
| gs: Joe Higgins
(Max) Heather North (Wendy / Girl) Donald
Foster (Courtier) William Chapman (Cardinal)
Clegg Hoyt (Jailer) Linda Kirk (Gloria)
Oscar Beregi Jr (Count) |
A spoof of the Mark Twain novel:
"The Prince and the Pauper". When The Monkees audition for an
Embassy Ball, Count Myron and his aide Max realize that Davy is a
double for Prince Ludlow, 17 year-old heir apparent to the throne.
The prince tells Davy that, according to the terms of his nation's
constitution, if he is not wed before his 18th birthday, the throne
will pass to Count Myron. As they fence, Count Myron and Max are
impressed by their scheme to keep Ludlow single by keeping him away
from all women and the ones who pay no mind to them will be driven
off by the prince's shyness. Myron tells Max he has told Wendy
Forsythe, who met Ludlow on the Riviera and took a liking to him,
that the prince was a sly, malicious, sadistic pathological liar, in
hopes of discouraging her from marrying him.
Fortunately,
this scheme proves to be a fatal flop, for Wendy comes to see the
prince, and is announced by the Courtier, who has a habit of
breaking his cane. Too shy to meet her, Ludlow asks Davy to
impersonate him; as Wendy and Davy converse, they fall in love.
After she leaves, Ludlow asks Davy to impersonate him for a few more
days and persuade Wendy to marry him. While Micky and Peter take
Ludlow to their beach pad and coach him in the fine art of dating,
Mike, suspicious of Count Myron, guards Davy. Max intercepts a
letter from Wendy declaring her love for Ludlow, and the Chemist
coerces him to poison the tip of his foil when he gives the prince
fencing lessons. During the match, Davy drops his foil but chooses
the wrong one, and Max flees when he realizes his opponent has the
poison-laced weapon. When Davy touches a plant with the foil, it
shrivels and Mike and Davy realize Max intends to kill the prince.
Davy proposes and wins Wendy, and tells the Count he will
marry her that night. Mike arranges by phone for the prince to come
to the Embassy for the wedding, unbeknownst to him that Count Myron
is seeing through the plot. As Mike prepares Davy for the wedding,
The Count greets them—and orders Max to bring in Peter, Micky and
the prince. He has Ludlow thrown into the Dungeon and orders The
Monkees to leave the Embassy or be killed. At the church, the Count
is about to call the ceremony off when Davy appears in Royal finery,
along with Mike, whom he coerces to stall the ceremony while Micky
and Peter help the prince escape from the dungeon. Mike's
nonsensical tirade is interrupted by Ludlow, who suddenly appears
and takes Davy's place. While The Monkees—singing "Mary, Mary"—fight
off Count Myron and Max, Ludlow marries Wendy and has the two
conspirators arrested. Davy bemoans his lost love until he meets a
female teen magazine reporter who is Wendy's
double.
|
b: 06-Feb-1967
pc: 4733 w: Gerald Gardner and
Dee Caruso s: Peter Meyerson d:
James Komack |
NOTE: Features the song: "Mary,
Mary." |
|
| 22.
The Monkees at the
Circus |
| gs: Donna Baccala
(Susan) Forrest Lewis (Pop) Carl Carlsson
(Sword Swallower) Ruth Carlsson (Juggler)
Gene Rutherford (Strong Man) Felix Silla
(Midget) Richard Devon (Victor)
|
The Monkees invade Pop Arcade's
small circus and fool around with its equipment, until Victor, a
maniacal knife thrower, sadistically uses Davy as a target and
orders the boys to leave. The boys soon learn that Pop's circus is
about to fold because he can't pay the performers. Davy falls in
love with Susan, Pop's young daughter. He persuades all of the acts
to stay, except Victor, who broods that the rock-and-roll
discotheques are the major contribution to the circus' downfall, and
the boys don't disclose their identity to Susan, presenting
themselves as brain surgeons. In a dream sequence, Peter, Micky,
Mike and Davy don the guise of, respectively, a ringleader, a lion
tamer and his lion, and an acrobat as they take part in a wacky
circus scene; after which they overhear Victor declaring that he has
persuaded the troupe to sign an ultimatum threatening to quit unless
they receive their back pay. The Monkees break in, clad as
aerialists. Posing as Amazing, Incredible, Colossal, and Stupendous,
The Mutzarella Brothers, the toast of Paris, they announce they are
joining the troupe. Impressed, Victor and the others decide to stay
on.
Susan, aware of The Monkees' deception, reports the
evening show is a sell out and wonders how they can amuse the crowd.
Having seen the boys, inexperienced as aerialists, botch every part
of their high wire routine, she asks Davy for the truth. Overhearing
his admission that they are rock-and-roll singers, Victor reports
this to the rest of the troupe and they all decide to leave, but
change their minds upon seeing The Monkees' clown act, singing
"Sometime in the Morning." On the night of the performance, Victor
refuses to go on with his knife throwing act, until he hears Davy
introducing himself as The Invincible Victor. Horrified by Davy's
near-misses as a knife thrower, Victor changes his mind and takes
over the ring. Discovering his young friends are The Monkees, Pop
insists they do their own act, and the Cool Quartet goes on to
delight the crowd with their rendition of "She." While Susan
smooches Davy, the troupe, as a token of their appreciation for
saving their circus, each give Micky, Mike and Peter one of their
equipment.
|
b: 13-Feb-1967
w: David
Panich d: Bruce Kessler
|
NOTE: Features the songs:
"Sometime in the Morning" and "She."
This episode marks a return to the
big top for Micky, once Corky on TV's Circus Boy (NBC,
1956E8), the theme song for which he happily hums to Michael ("It's
great! It's terrific!/It's the best show on earth!"); and, by
coincidence, aired on Peter Tork's 25th birthday! (Interesting
footnote: Irving "Lippy" Lippman, The Monkees TV series'
chief cameraman, previously worked with Micky Dolenz [nee Braddock]
on the set of Circus Boy as cameraman as well!)
|
|
| 23.
Captain Crocodile |
| gs: Larry Gelman
(Stage Hand) Oliver McGowan (Pontoon)
Phillip J. Roth (Howard) Judy Howard
(Secretary) Joey Baio (Junior) Joey Forman
(Captain Crocodile) |
Appearing on "The Captain
Crocodile Show," The Monkees get cream pies in the face and refuse
to perform. They decide to take it up with Junior Pinter, the 12
year-old executive in charge, who wants them to appear on "The
Captain Crocodile Show" on a regular basis. Having put through a
call to his father, the network president (who gave him the show for
his birthday!), vacationing in Sidney, Australia, Junior guarantees
The Monkees there'll be no more pies in the face and will be given
the chance to perform. Having received a memo from Junior, Captain
Crocodile fears the competition, and instructs his yes-man, Howard
Needleman, to spring into action and make sure The Monkees' second
appearance is a disaster. On the show, The Monkees are prevented
from singing at every turn by a wavy camera, a fish net, and an
explosive-laced bass drum. To worsen matters, when Mike threatens to
quit, The Monkees finally get the go-ahead to
performE#034;Valleri"—and learn to their dismay that the show had
been off the air for the entire five minutes of their performance.
Micky, Mike and Davy cheer up a bereaved Peter by engaging
in a fantasy sequence parodying every type of TV show from news (The
Huntley-Brinkley Report) to quiz (What's My Line, To Tell The
Truth), to crime (Batman). The Croc arranges for a deluge of mail
panning The Monkees, which prompts a director's meeting called by
the president J.J. Pontoon, to discuss The Monkees' future on "The
Captain Crocodile Show." Micky, as a rating's expert from the
Nielsen Polling Service, Mike, as an elderly building janitor, and
Davy and Peter as six year-olds convince the directors that The
Monkees are the most popular performers on TV. Crocodile orders his
fan club, The Crocodile Corps, to tear the boys apart, setting off a
mad chase all over the Screen Gems lot from set to set to the tune
of "Your Auntie Grizelda." The chase ends on the "Captain Crocodile"
set, where The Monkees gets The Corps to listen to a story, winning
them over. When The Captain angrily berates them for ruining his
master plan, his own fans turn on him, and the show is changed to
"Monkee Menagerie." As they prepare to go on, Howard appears, and,
dousing the boys with seltzer, he takes over.
|
b: 20-Feb-1967
pc: 4730 w: Gerald Gardner &
Dee Caruso and Peter
Meyerson & Robert Schlitt s: Peter
Meyerson & Robert Schlitt d: James
Frawley |
NOTE: Features the songs:
"Valleri" and "Your Auntie Grizelda."
During a performance on Capt.
Crocodile's show, Michael fangs to The Cap, "Either you let us play,
or we quit!"...a catchcry which would become alarmingly prophetic in
The Monkees' knockdown, dragout, yet successful battle for the right
to play their own music. Don Kirshner's ousting as a result of this
had a profound effect on this episode; in the scene where The
Monkees get The Crocodile Corps to sit down and listen to a story,
Micky originally starts to read, "Once upon a time in the land of
Kirshner..." That was when The Man With The Golden Ear was still a
valid member of the Screen Gems/Monkees community. However, when
"Captain Crocodile" was renetworkcast on July 10, 1967, Kirshner was
long gone from the picture, and its soundtrack was altered not just
to include Goffin and King's "Pleasant Valley Sunday" (coinciding
with its release on the A-side of the Colgems #66-1007 single on the
same day), but to change Micky's story introduction as well: "Once
upon a time, in the land of Schnieder..." (after
creator/coproducer Bert Schnieder)! |
|
| 24.
Monkees a'La Mode |
| gs: Valerie Kairys
(Toby) Nancy Walters (Assistant #1) Carole
Williams (Assistant #2) George Strattan (Rob Roy's
Asst.) Eldon Quick (Rob Roy) Patrice
Wymore (Madame Quagmeyer) |
Madame Quagmeyer, editor of Chic
Magazine, selects The Monkees as the subjects of the annual Young
America issue. The next morning, The Monkees, at home during
breakfast, read an issue of Chic which they received in the mail and
its adjoining letter which says they've been chosen as The Typical
Young Americans Of The Year; not long after, Rob Roy Fingerhead, an
aesthetic photographer, and Toby Willis, a young editorial
assistant, both sent by Madame Q, arrives. Rob Roy views Davy,
Micky, Mike and Peter and their surroundings with extreme distaste;
Davy and Micky, with a hatchet and a lantern, respectively, proceed
to demonstrate that the pad contains artifacts of great historical
significance. The boys, since they believe young people aren't at
all typical, don't feel they are right for the magazine article, but
Toby persuades them that this is their chance to become famous. At
the Chic magazine offices, the boys are greeted by Madame Q and
interviewed by three sophisticated college girls EMs. Collins, Ms.
Osborne, and Ms. Dilessips Eand then initiated into the world of
high fashion by Rob Roy, who considers his job hopeless. In the
studio, Peter is prodded to improve his posture, Davy is taught how
to properly pose, and Micky is coached in combining colors in the
things that people wear. The Monkees go into a musical romp, toying
around with stuffed animals, fabric and cameras, and singing
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